Stop guessing your price.
Start quoting from 32 real projects that already got paid.
One payment of $37. Your access link arrives by email right after checkout.
Filter the 32 projects by platform and project type (maps, icons, branding, decks and more) and see what similar work was paid.
Run the Quote Checklist, borrow the line items and licence uplifts, and send a stronger quote tonight.
Same illustrator, real fees from three cases inside the Atlas. What changed the price was who was buying, and how they wanted to use the work.
“I found the Atlas really useful when I got back to work after a difficult period in my business. It confirmed things I’d already started putting into practice and helped me reinforce the key points at exactly the right time. The whole thing is really clear and well structured.”
Every project, from $700 briefs to five-figure Global Enterprise work. Filter by platform and project type to find the ones closest to yours.
The patterns behind all 32 projects in one view, so you can see what really moves a price before you write yours.
Twenty questions to run through before you hit send, each linked to the real case that taught it the hard way.
No more hesitation.
Send a confident number, backed by real proof.
When I first started out in illustration, every client got the same fee, whatever their size and however they used the work, because I didn't know any better. I was busy, underpaid and starting to dread the very thing I loved doing, illustration.
So I learned how pricing, usage and licensing really work. In 2022, a Global Enterprise client landed in my inbox. The old me would have quoted $10,000. Instead, I sent a scary $52,000 quote, and we settled on $30,000: three times what I would have asked (Case 02/32 in the Atlas). That fee became the down payment on my first apartment, and on the home office where this photo was taken.
Six years into freelance illustration, I still quote clients every week. The Atlas is every quote I wish I’d seen back when I started out.
Case 26 of 32, exactly as it appears inside the Atlas: the brief, how I built the price, the full breakdown, what I negotiated and the lesson I took from it.
The client cut the scope from 10 illustrations to 6. My price per illustration went up, not down. Here’s how, and why they said yes.
A set of custom full-body character illustrations for an educational booklet — for use in print and online. The characters needed to feel consistent across the set and work in both contexts.
Good fit for my style and the client already had the art direction set, so no art direction or style exploration needed. I started the price with my hourly rate in mind. I estimated 3hr per illustration (€300) + Standard usage (€100) + Source files (€100). Total: €500 per illustration.
The client later cut the scope from 10 illustrations to 6. Instead of charging 6 × €500 = €3,000, I increased the per-piece rate to €600, for a total of €3,600. The client didn’t push back and accepted the new rate. The optional Broad Usage add-on was updated to match: +€1,800 (50% of the revised fee).
When you quote a total with a clear per-unit rate, you should increase price in case of a smaller scope (fewer illustrations), the same way you should lower the price for a larger scope (more illustrations).
That’s 1 of 32.
The other 31 are waiting.
Instant access · every future case study included
Freelance illustrators whose work is good but whose quotes still feel like guessing, whether you work on Fiverr, Upwork or with direct clients.
The case studies are all illustration projects, but copywriters and designers have bought the Atlas too. They tell me it’s still useful to see exactly how someone else prices creative work, and to borrow the thinking for their own quotes.
Yes. The cases include direct clients, and the biggest levers (client size, licensing and negotiation) work the same way on or off a platform.
An interactive web tool that works on your phone, tablet or computer. You get 32 filterable case studies, an Insights view and a 20-point Quote Checklist.
One evening to read it all. After that, it’s built to reopen before every quote: filter to the cases closest to your brief and check your number.
Yes, for free. The Atlas already grew from 26 to 32 cases, and every new case study is included in your one-time purchase.
Every fee is shown in the currency it was actually quoted in. Real numbers, not converted estimates.
Yes, I was born and still living in Romania, and I’ve worked with clients all over the world: the US, UK, Australia, Europe and Asia. Where you live matters far less than who you work with and how you price it.
Yes. I don’t have one either, I’m self-taught. The Atlas shows you how to price based on the value of the work to the client, not on your art style or your diploma.
Because the Atlas is a digital guide you get instant access to, I can’t offer refunds. But if you feel something is missing, email me and I’ll look at adding it in a future update.
32 real projects from one top 1% illustrator, with every quote, licence and negotiation laid out. Price clearly. Counter with confidence.